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Tiro Typeworks reserves the right to incorporate any such changes into its own fonts.5. Copies of modified fonts should be submitted to Tiro Typeworks and to the Society of Biblical Literature along with any relevant documentation.
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You may not redistribute any modified version of the font software, either free of charge or for a fee. You may not delete, edit or add to copyright, trademark or license information in the font. Tiro Typeworks maintains copyright to all derivative fonts in any format. You may decompile and modify this font software for non-commercial and personal use by you as an individual or internal use within your organisation. You may not charge any fee for the distribution of this font software or alter the terms of this license agreement.4. You may redistribute this font software free of charge as long as the software is unmodified, all copyright and trademark notices are intact, and the font contains or is accompanied by a copy of this license agreement. If you wish to obtain a license for commercial use of this font software, please contact the Society of Biblical Literature at or write to Fees for commercial licenses are at the individual discretion of the Society of Biblical Literature and Tiro Typeworks.3. If you have any questions about this license agreement, or have a need to use the font software in a way not covered by this agreement, please write to You may use this font software free of charge for all non-commercial purposes. It is licensed to you for use under the terms of this end user license agreement.
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The digitally encoded machine readable font software for producing the typefaces licensed to you is the property of Tiro Typeworks. Beginning with 100 years of lessons in geometric type, Postea Hebrew is the rational response for text - an adaptive take on geometric sans serifs.By: John Hudson Update : Sat, 05:39:56 +0800 Company : John Hudson, Tiro Typeworks Size : 351.5 Kbps Version : 1.56a Build 016 Trademark : 1. The entire multiscript family (Arabic, Cyrillic, Greek, Hebrew, and Latin, now including Vietnamese) is resilient in the number of ways it can be used, and its recognisable characters make it a prime selection for branding, signage, corporate typefaces, and magazines. Postea Hebrew brings all this together nicely, invoking a balance between a constructed and human feel while benefitting from a century of geometric type design. Icons include wayfinding, social interface, and sanitary precautions like face masks, thermometers, hand washing, and much more. Simply bookend the desired icon name with colons (:arrowUp: :firstAid: :aid: :chargingStation:), making sure to capitalise each word after the first word, then select it and activate SS10. Postea Hebrew’s seven upright styles or one variable font are accompanied by an all-new family of icons in three weights, for which we developed a new, easy activation method. And wallpaper-worthy geometric symbols and ornaments are packed into SS01 and 09. The single-bowled ‘a’ can be found in SS04. SS02 includes ‘f, t, and y’, and is a more stoic interpretation of the default characters with several Arabic, Cyrillic, Greek, and Hebrew alternates here. The default characters ‘b’ and ‘u’ are gentle around the bowls, so Stylistic Set 03 replaces them with the typical, harder forms. Postea Hebrew is opinionated and has modern stylistic sets with softer, specially-designed alternate characters. Another nice surprise awaits: spacing for the Hairline weight is tighter for optimal use in large headings and titles, while the regular weights have the expected, slightly looser spacing for text. A second goal was to provide a style for modern Hebrew and Yiddish typography which combines geometric and handmade structures for a readable, familiar, and still novel family.Ĭompared to midcentury attributes of restraint and a sparse appearance, Postea’s deliberate play between character widths injects its personality with liveliness and distinction. This required studying Postea’s existing Latin version, as well as Hebrew typefaces and lettering made with a similar look or during a similar time period.
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Postea Hebrew’s main goal was to match the Latin’s colour and rhythm for a unified look in multiscript typography. Because of these qualities, Postea Hebrew makes normal reading in paragraphs a cinch and your branding memorable. The classic curves and purposeful details keep its individuality intact while allowing it to fit an incredible range of design needs. Postea Hebrew is infused with the right attributes for setting paragraphs and headings, and perfect for branding and text use. As an extension of Veronika Burian and José Scaglione’s Postea Latin, the Postea Hebrew font family is a take on geometric typefaces by Tom Grace, with consultancy by Meir Sadan.